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Alicia East

give thanks sign | Crew Connection

10 emotions of Thanksgiving week: From glee to gratitude

10 emotions of Thanksgiving week: From glee to gratitude 6024 4024 Alicia East

Once a year, a holiday whose very name specifically calls to mind all we have to be grateful for rolls around. And every year, we think of you–the clients and customers who make our work possible. We also think of pie, every form of potato, and stretchy pants.



On Monday, with a short workweek ahead and the comforting knowledge that nobody’s calling a meeting on Wednesday.


On Tuesday, when we realize that if the year keeps going at this speed, 2020 is basically tomorrow.


When we count the days and conclude we still have 26 shopping days between turkey and ham days, respectively.


When it’s finally Thursday and for the first time all year, nobody’s in a hurry.


As we strategize our meal–knowing we need to leave room for Aunt Ida’s corn soufflé and Grandma’s cookies with the “secret” ingredient (everybody knows it’s almond extract).


When the conversation inevitably turns to politics and we have to decide whether to body slam Aunt Ida or hand her a drink and gracefully change the subject.


When carpool karaoke comes on and gives us something we can all agree on. Even Aunt Ida.


When we eat the first middle and last pieces of pumpkin pie and then opt to plop down in front of the football game.


Did someone say stretchy pants?


For family, friends, and a little time to just sit and be.

video camera | Crew Connection

What to do when you need finding a crew to be as easy (and as fast) as ordering a pizza

What to do when you need finding a crew to be as easy (and as fast) as ordering a pizza 5760 3240 Alicia East

It’s 3 PM on a Friday. Your boss needs a full crew for a last-minute production. It starts Monday. What do you do?

First, take a deep breath and bite your tongue if you feel like using it in a way you will regret later. Second, remember that you have options. Finding a production crew (a real one — not your neighbor Carol’s daughter and a half dozen of her film school friends!) on a tight schedule can feel daunting, but it is possible.

Here are four tips for finding a video crew on a tight schedule

Review reels and portfolios

You wouldn’t cast a lead actor without hearing them read the script, and you shouldn’t hire a video crew without first vetting them. Take some time — even if you feel like you don’t have any — to review candidates’ portfolios to find crews that have worked on similar projects and have the skills you’re looking for. Look for a portfolio of work that reflects the level of quality you expect for your project.

Don’t skip steps

While taking some shortcuts may seem like an obvious solution, doing so can do more harm than good. A bad edit can cause you to go way over budget in re-edits, and low-quality sound can turn off an audience faster than a power button.

You can avoid these and many other potential fiascos by only working with carefully vetted crews whose quality you can count on. But that’s hard to do if you skip over the vetting or portfolio review processes — unless you have someone you can trust who can do many of the steps for you.

That’s what our Crew Coordinators do, btw. We’ll evaluate your project’s needs and then search through our database of fully-vetted, qualified crews and deliver them right to your inbox. From there, you review the profiles and portfolios of crews guaranteed to match your needs, and choose the one that’s right for you. You’re not skipping any steps. We’re just doing them for you. 👍

Prioritize experience

When you need to find a video crew fast, you can hone your search by looking for video crews with experience. A veteran crew already knows the ropes and will be able to handle the pressures of a tight timeline.

They’re usually better with time management, anticipating problems, and solving any hiccups that might arise. And a solid crew will get it right the first time. This can help keep production on track, preventing overtime and other expenses. While it sometimes seems like a bigger investment up front, it often ends up saving money and time in the long run to hire the true pros.

Use a crewing agency

The most beneficial and efficient thing you can do when assembling a crew on a tight timeline is to use a crewing agency. It’s important that you work with a crew you can trust to do its job quickly, effectively, and, most importantly, correctly. But trust comes with time, and when you have to book a new crew next week, that’s in short supply.

With a pool of carefully-vetted, highly-qualified crews you can trust and crewing support you can depend on, Crew Connection has trust built right into the experience. Think of Crew Connection as your personal matchmaker (your best friend who finishes your sentences, not your meddling Aunt Ida!) that brings your project and the right crew together. You trust us, we trust the crew, and it’s a match!

Work with Crew Connection to get the crew you need

Crew Connection was designed with projects, schedules, and clients like you in mind. By connecting you directly with qualified video production crews, Crew Connection turns crewing into one of the simplest parts of your job, even on a short timeline.

Whether it’s the middle of the night or right down to the wire, you can search, contact, and book a crew on the phone with your Crew Coordinator or online. Our international database offers best-in-the-business video crews. Crew Connection can get the right experts with the right gear right when you need it. Even tomorrow.

About Crew Connection

Crew Connection puts a suite of marketing tools at your fingertips. Get your demo reels, stills, gear, awards, and more in front of the biggest clients all over the world—for free. At Crew Connection we pay video and post production providers within 30 days of receiving your invoice so your work and your life are never interrupted. Need live assistance or want to add quality jobs to your pipeline? Our crew coordinators are on call around the clock. Sign in to Crew Connection, call 303-526-4900, or email

camera parts | Crew Connection

When to rent versus buy camera equipment: Answers to your questions

When to rent versus buy camera equipment: Answers to your questions 2880 1767 Alicia East

It’s a lasting dilemma for film crews, production houses, and freelance camera people: Do I buy camera equipment or rent gear on a case-by-case basis? You may purchase the latest and greatest only to find it sitting on the shelf when the next best thing replaces it a month later. We talked to Pierre Habib of Dunia Films to take some of the mystery out of renting camera equipment.

Here’s what we found out.

What to think about no matter what:

Freelance video production gear maintenance comes with a cost. You can buy great gear and get quality images without having to spend an arm and a leg. But lower quality film equipment also has a tendency to get beat up more quickly. Video production is rigorous. Reputable rental companies can provide a replacement if something happens to your gear —a guarantee you may not be able to make yourself.

Not all cameras are created equally. Entry-level cameras depreciate in a couple of years. High-level ones have a longer shelf life. The camera that starts out filming high-budget films may be more appropriate for indies and TV commercials after a couple of years, but that still gives you time to ride the wave. If you buy something entry-level, consider selling before it depreciates completely and using that money to invest in your next piece of gear.

Grips are forever

Grip gear has been the same for the last 100 years and will remain so for the foreseeable future. You may upgrade your camera 35 times before you need a new jib. It maintains its value forever. That said, if you don’t want to haul your stuff around when traveling and spend big bucks checking an extra bag at the airport, you can rent grip gear for about $4 a day versus buying it new for $130.

…but lighting isn’t

Speaking of hauling crap around—LED lights are big, bulky and rapidly evolving. Like cameras, their value depreciates instantly. The second you walk out of the store with a new piece of lighting equipment, there will be something better and cheaper available. Keep this in mind as you determine how to best invest in your business.

A camera is never just a camera

With all their promise and sparkle, they are really fun to buy, but in order for it to be everything you want it to be, you will need to buy more than the device itself. If you can’t afford the accessories that make it functional, you can’t afford the camera. It’s that simple.

Four scenarios to buy camera equipment new:

  • If you will use the gear a lot. Check out rental houses’ day rates. They typically range from around 5% to 9% of the cost to own the equipment. So if you do the math and know you’ll use the gear for 20 days or more, you are better off buying.
  • The risks are low and the rewards are potentially high. Even if you don’t expect a piece of gear to be a large part of your business, if the technology isn’t too cost- or time-prohibitive, you don’t have much to lose. Now that the costs have come down, drones are a good example of a low-risk product. You can buy a low-end drone, get a ton of practice, and invest in something better later if you find it serves your business well. Dive in. Have fun.
  • You’ll make it a big portion of your business model. If your budget allows and you will use the equipment frequently—invest. It may be a financial stretch upfront, but if it brings new business or allows you to offer the best to your clients, it’s worth it.
  • You will get high value for your gear even if the technology quickly improves. If a product offers a huge value to the business today, who cares if something better and sleeker equipment is available later? Some dinosaur cameras like the MD MARK II give a look and feel that people love. If you can get a great deal on something like that and get great practice using it, you have nothing to lose.

What to think about when buying used or renting online:

Buy used when you don’t need the latest and greatest. Rental houses make money in two ways. They rent gear until they make a profit and then they sell the used gear. You can get something pretty great from their retail side at a much better price. The same applies online at places like By skipping brick and mortar, online companies are able to offer lower prices, but the lower cost comes with a downside. You don’t get a chance to see or test your equipment. And even with overnight shipping, any malfunction means waiting for replacement gear, which can be very costly when you have other crew members and a tight schedule.

Consider participating in a gear exchange site. KitSplit allows owners to rent their own gear out to make a few bucks and renters to find the gear they need from others in the film industry.

The bottom line

If you arm yourself with a little bit of info, you can make smart decisions about new technology.

This post originally appeared on ProductionHub here.

Enjoying our series on how to invest in your freelance company? With almost three decades in the industry, we have a lot of tips—and connections. Sign yourself up on Crew Connection for free and let our international clients come to you. Want to talk to one of our coordinators? Contact Us here or call us anytime at 303-526-4900.